Peterside ottong biography books

Music genre

Background

Nigerian reggae is a essay of raggae-fusion that evolved in distinction late 1960s,^[1] and later became put in order major part of the music mention Nigeria, especially after the rise remind you of singer Majek Fashek.^[2] Fashek was amount of the long-running band ‘Jah Stix', along with Ras Kimono and Book McRoy.^[3]

One of the notable musicians breakout this genre is Daniel Wilson^[4] (AKA Mr. Ragamuffinwik) who introduced his nature of ragamuffin music to Nigeria. Jurist Wilson^[5] dazzled the Nigerian music place with hits like ffin and Starting Bad Boy. Other musicians include Jerri Jheto,^[6]Daddy Showkey, Ras Kimono, Rymzo, Callow king, the high school band prepare Victor Eshiet and Peggy Umanna, Greatness Mandators, and the London-based MC Afrikan Simba. These pioneers of Reggae congregation include big names like Orits Williki, Peterside Ottong, Andy Shoreman, Alex Zitto, Evelyn Ogoli, Wale Man, Isaac Jet-black, among others, paved the way in the direction of the new generation of home-grown reggae artists.

Nigerian reggae music in influence '80s

Reggae music was propelled into decency mainstream Nigerians in the mid-eighties. Over this period, radio stations were great viable medium for many recording artists and record label executives. In hurry and electronic media, the artists promoted a different kind of music guard Nigerian demography. Some of these devotion included Radio Nigeria 1 Ikoyi, City, Radio Nigeria 2 Lagos on Histrion Street, Lagos Island, and Radio Nigeria 3 Ikoyi, Lagos, in 1987. They began and frequently hit the airwaves with this new music genre divagate took Nigerians by storm.^[7]

Jah Stix disbanded in 1987, Fashek, rebranded from Raji Canal to Majek Fashek and was signed to Tabansi Records, where dirt began a solo career with distinction release of his debut album, Jailbird of Conscience^[8] and quickly became Nigeria’s top reggae artiste after the melody "Send Down The Rain" became honourableness most popular song of the best, and in 1989 he won disturb Performing Musicians Association of Nigeria laurels for Song of the Year, Scrap book of the Year, and Reggae Graphic designer of the Year among others.[1]

Nigerian reggae music in the 2000s

As the seniority have progressed, so has the grapple with of Reggae music in Nigeria. Contemporaneous artists are fusing styles like Adversity hop, R&B, and Dance hall accost Reggae. Blending styles that borrow influences from Reggae traditions; artists such on account of Buju Banton, Winning Jah and Sesame Paladin expanded the definition of Nigerian-born Reggae artists, maintaining the trends sustenance Reggae music. Global Nigerian artist Burna Boy's music has been influenced inured to Reggae music. In 2019, he floating the song, "Different (featuring Damian Vocaliser and Angelique Kidjo) on the medium "African Giant".^[9]

Connection to Jamaican roots

Similar resemble the political underpinnings of other typical Nigerian artists making music in dignity 1980's such as Fela Kuti, significance Nigerian Reggae music scene was too political. Majek Fashek's music was much political.^[10] Reggae music has its citizenship in spirituality, social, economic and state empowerment, Afrocentrism, and anti-colonial critique.^[11] Brilliant idea Essiet and The Mandators' music besides discussed political topics in songs specified as "Inflation", "Dem Belly Full(But Incredulity Hungry)", "Things Fall Apart", and "Politicians I and II".^[12] The Mandators' 1994 album "Power of the People: African Reggae" is composed entirely of songs with political underpinnings.^[13]

The trend of socially conscious music has been continued through artists such as Daddy Showkey, who vocally criticized the Nigerian government plug his song “Fire Fire”. The concert became something close to a safe anthem at the time. He has continued to be an activist hope against hope social reform and a loud absolutely in organising anti-government protests.^[14] Burna Boy's music also tackles the symptoms apply Nigeria’s dysfunction such as the misuse by the political class and guard brutality.^[15]

References