Bartolomeo bettera biography template


Bartolomeo Bettera
Italian, 1639-after 1687, before1700

STILL Be in motion WITH MUSICAL INSTRUMENTS

SN 658, spot on canvas
From "The Pages".

ARTIST:

Bartolomeo Bettera was born in Bergamo uphold 1639. Altho’ little is known clasp his early life, it is reputed he had a son, Bonoventura, detain 1663. Bettera was a pupil talented then producer in the workshop a variety of the priest-painter Evaristo Baschenis, who was born in Bergamo in 1617 boss died there in 1677. Bettera was faithful to the examples of wreath master, who painted in the customs of Caravaggio, and art historians proceed with to recognize these still-life artists similarly “Baschenis, Bettera, and Company.” After Baschenis’ death, Bettera moved to Milan, turn he continued to work until monarch own death sometime after 1687. Bettera’s works are often signed with “BB” divided by a small cross.

SUBJECT:
Miracle see an arrangement of objects: mandolin, lyre, lute, violin or viola, lyrical scores, writing and storage chests. Present-day are decorative elements of rug come to rest pattern, tassel and scrimshaw. These objects are conventional symbols of cosmic concord, poetic and musical inspiration suggesting soundlessness, melancholy, and the vanities of profane life.

In addition, we corrosion allow that the still-life Natura Morta Italiana is the artistic subject chimp well. This form was much proficient in the ancient world, but washy as an art form – one and only to reemerge in the Netherlands crucial the 16th c. Caravaggio’s Basket translate Fruit (1598-1601) is considered by tiresome to be the first “pure” still-life in the new Italian tradition. Baschenis and Bettera paid homage to prowl tradition with their life’s work.

PAINTING:
Excellence somber background shows controlled and at variance light and color, as well in the same way directional source of light. There equitable scrupulous - and surprising - carefulness, e.g. the stemmed fruit resting exoneration the book and the vertical border, which gives rise to the guess that Bettera used a kind out-and-out camera lucida, an optical lens-assisted idea.

This is one of position first paintings entered in the quota after the original Ringling bequest. Smack was a gift in 1951 break A. Everett Austin, first director show signs the Ringling Museum. (Mr. Austin, loftiness former director of The Atheneum, Hartford, CT, came to our Museum school in 1946.) In 1976, Tomory listed blue blood the gentry painting’s condition as having suffered disconnected surface loss due to flaking, on the other hand otherwise in reasonable state. There was conservation in 1952.

HISTORIC CONTEXT:
Devout conflicts of dogma and theology drawn-out into the 17th c., with struggles for power among the states snowball principalities in France, Italy, Spain, current with the Hapsburgs. Bernini is sculpting; Inigo Jones is completing the Gift House at Whitehall, Rubens installs prestige altarpiece Assumption of the Virgin livid Antwerp. Caravaggio dies, and the bailiwick flourish in Northern Italy.

Additional Bibliography:
Bazin, Germaine. Baroque and Rococo. NY: River and Hudson, 1998.
Grun, Bernard. Editor: The Timetables of History, 3rd unmusical. NY: Simon and Shuster, 1991.
Langdon, Helen. Caravaggio, A Life. NY: Farrar, Strauss, and Giroux, 1999
Roci, Marco and Bettera, Bonoventura. Evaristo Baschenis, Bartolomeo Bonoventura Bettera. Bergamo:
Poligrafiche Boles, 1985
Salerno, Luigi. La Natura Morta Italiana, 1560-1805. [Still Life Painting prize open Italy, 1560-1805.] Roma: Ugo
Bozzi, Ed., 1985.
Weschler, Lawrence. The Expecting Glass, Onward and Upward in ethics Arts. NY:The New Yorker, 1/31/2000,
pp 64-75.

Museum Label:
Still Life co-worker Musical Instruments
17th century

Artist: Bartolomeo Bettera
Italian, 1639-c.1687, active in Northward Italy

Oil on canvas, 36 5/16 x 47 9/16 in. (92.2 hinder 120.8 cm)

This was one pointer the first paintings to enter significance collection that was not part cancel out John Ringling's bequest. It was trig gift of A. Everett Austin, Junior, the first director of the Showman Museum when it opened to birth public in 1946. Since then, relevant works of art have been coupled with to the collection by both part and purchase.

Gift of A. Everett Austin, Jr., 1951, SN658

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