| āĻŦāĻāϰ | āĻāĻžāύ | āĻāϞāĻā§āĻāĻŋāϤā§āϰ /āĻĒāϰāĻŋāĻāĻžāϞāĻ | āĻāĻžāώāĻž | āϏā§āϰāĻāĻžāϰ | āĻā§āϤāĻŋāĻāĻžāϰ | āĻ
āĻāĻŋāύāϝāĻŧ |
|---|
| ⧧⧝ā§Ŧ⧍ | āĻ āϝāĻž āϰ⧠āύāϝāĻŧāύ āĻĻā§āĻŦāĻžāϰ⧠āĻāĻāĻ | āϰā§āĻĒ āĻā§ āϰāĻžāύ⧠āĻā§āϰ⧠āĻāĻž āϰāĻžāĻāĻž
āĻĒāϰāĻŋ: āĻāĻāĻ āĻāϏ āϰāĻžāĻāϝāĻŧāĻžāϞ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ | āĻļā§āϞā§āύā§āĻĻā§āϰ | āĻĻā§āĻŦ āĻāύāύā§āĻĻ āĻāĻŦāĻ āĻāϝāĻŧāĻžāĻšāĻŋāĻĻāĻž āϰā§āĻšāĻŽāĻžāύ |
| ⧧⧝ā§Ŧ⧍ | āĻ āϝāĻž āϰ⧠āύāϝāĻŧāύ āĻĻā§āĻŦāĻžāϰ⧠(āĻāĻļāĻž āĻā§āĻāϏāϞā§āϰ āϏāĻā§āĻā§) | āϰā§āĻĒ āĻā§ āϰāĻžāύ⧠āĻā§āϰ⧠āĻāĻž āϰāĻžāĻāĻž
H S Rawail | āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ | āĻļā§āϞā§āύā§āĻĻā§āϰ | āĻĻā§āĻŦ āĻāύāύā§āĻĻ & āĻāϝāĻŧāĻžāĻšāĻŋāĻĻāĻž āϰā§āĻšāĻŽāĻžāύ |
| - | āĻāĻā§āύā§āϝāĻŧāĻāĻŋāϰāĻŋāĻā§ āĻā§āĻŦāϞāϤ⧠āĻĻā§āĻā§ | - | āĻŦāĻžāĻāϞāĻž | - | - | - |
| ⧧⧝ā§Ŧā§Ž | āĻāĻš āĻĻāĻŋāϞ āĻŽā§ āĻšā§āϝāĻžāϝāĻŧ āύāϝāĻŧāύ āĻŽā§ āύā§āϰ āĻšā§āϝāĻžāϝāĻŧ | āϰāĻžāύ⧠āĻāύā§āĻĻā§āϰāĻžāĻŦāϤ⧠| āĻšāĻŋāύā§āĻĻāĻŋ | āĻāϏ āĻāύ āϤā§āϰāĻŋāĻĒāĻžāĻ ā§ | āϞāϞāĻŋāϤāĻž āĻĒāĻžāĻāϝāĻŧāĻžāϰ |
| - | āĻāĻšāĻž āĻĒāĻŋāϝāĻŧāĻžāύ⧠āĻāĻŽāĻžāϰ āĻĒā§āϰāĻĨāĻŽ āĻĒā§āϰā§āĻŽ āĻŽāύ āϰāĻžāĻāĻžāύ⧠| - | āĻŦāĻžāĻāϞāĻž | āĻāϞā§āϝāĻžāĻŖ āϏā§āύ āĻŦāϰāĻžāĻ | āĻļāĻŋāĻŦāĻĻāĻžāϏ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | - |
| ⧧⧝ā§Ģā§Ŧ | āĻ āϝāĻž āϰ⧠āĻ āϝāĻž (āĻā§āϤāĻž āĻĻāϤā§āϤā§āϰ āϏāĻā§āĻā§) | āϏāĻŋ āĻāĻ āĻĄāĻŋ āĻā§ āĻŽāύā§āϤāϰ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ |
| - | āĻāĻāĻžāĻļ āϝā§āĻāĻžāύ⧠āĻāϞā§āĻĒ āĻŦāϞ⧠| - | āĻŦāĻžāĻāϞāĻž | - | - |
| ā§§ā§¯ā§Žā§§ | āĻāĻŽāĻžāϰ āĻā§āĻŦāύ āϤāϰāĻŖā§ | - | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| ⧧⧝ā§ā§Š | āĻāĻŽāĻŋ āϝ⧠āϤā§āĻŽāĻžāϰ āϤā§āĻŽāĻŋ āϝ⧠āĻāĻŽāĻžāϰ ( āĻāĻļāĻž āĻā§āĻāϏāϞā§āϰ āϏāĻā§āĻā§) | āĻāĻžāϝāĻŧāĻžāĻšā§āύā§āϰ āĻāĻžāĻšāĻŋāύā§
āĻĒāϰāĻŋ: āĻ
āĻāϝāĻŧ āĻāϰ | āĻŦāĻžāĻāϞāĻž | āĻŽā§āĻā§āϞ āϰāĻžāϝāĻŧ | - | āĻāϤā§āϤāĻŽ āĻā§āĻŽāĻžāϰ,āĻ
āĻĒāϰā§āĻŖāĻž āϏā§āύ |
| ⧧⧝ā§ā§Š | āĻāĻŽāĻŋ āĻĒāĻĄāĻŧā§ āύāĻŋāϞāĻžāĻŽ | Album titled āĻŽā§āϏā§āĻŽā§ āĻŽāύ | āĻŦāĻžāĻāϞāĻž | - | - |
| ⧧⧝ā§Ģā§Ē | āĻāϰ āĻāϤ āĻāĻžāύāĻžāĻŦ āϤā§āĻŽāĻžāϝāĻŧ | - | āĻŦāĻžāĻāϞāĻž | āĻāĻŋāϤā§āϤ āϰāĻžāϝāĻŧ | āĻļā§āϝāĻžāĻŽāϞ āĻā§āĻĒā§āϤ | āĻāϞāĻŽā§āĻŦāĻŋāϝāĻŧāĻž āϰā§āĻāϰā§āĻĄāϏ
(GE24715) |
| ā§§ā§¯ā§Žā§§ | āĻāϰ āĻāĻŋāĻā§ āϏā§āĻŽāϰāĻŖā§ āύā§āĻ | - | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| ā§§ā§¯ā§Žā§§ | āĻ
āϧāĻŋāĻāĻžāϰ āĻā§ āĻāĻžāĻā§ āĻĻā§āϝāĻŧ | - | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| CMRS-107[⧍⧍] |
| - | āĻ
āϰāĻŖā§āϝā§āϰ āĻāĻĄāĻŧ | - | āĻŦāĻžāĻāϞāĻž | āϏā§āĻŦā§āϰ āϏā§āύ | āĻā§āĻŽāĻžāϰ āĻŦāĻŋāĻļā§āĻŦāϰā§āĻĒ | - |
| - | āĻāϏā§āϤ āĻāĻāĻžāĻļ āϝā§āĻŽāύ āĻāϰ⧠| - | āĻŦāĻžāĻāϞāĻž | āĻļā§āϞā§āύ āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻāύā§āĻĻā§āϰāĻāĻŋā§ | - |
| ⧧⧝ā§Ŧā§§ | āĻŦāĻžāĻšāĻžāϰā§āĻ āϞā§āĻāĻžāĻā§ āύāĻāϰ⧠āĻĻā§āĻāĻž āĻā§ (āϏā§āĻŽāύ āĻāϞā§āϝāĻžāĻŖāĻĒā§āϰā§āϰ āϏāĻā§āĻā§) | āĻ
āύāĻžāϰāĻŦāĻžāϞāĻž | āĻšāĻŋāύā§āĻĻāĻŋ | āĻŦā§āϞ⧠āϏāĻŋ āϰāĻžāύ⧠| āϰāĻŽā§āĻļ āĻāύā§āĻĻā§āϰ āĻĒāĻžāĻŖā§āĻĄā§ | āĻĻāϞāĻāĻŋā§, āĻā§āώā§āĻŖ āĻā§āĻŽāĻžāϰā§[ā§¨ā§Š] |
| - | āĻŦāύā§āϧ⧠āϤā§āĻŽāĻžāĻā§ āĻā§āύ⧠| - | āĻŦāĻžāĻāϞāĻž | āϏā§āĻŦāĻĒāύ āϰāĻžāϝāĻŧ | āĻā§āĻĒā§āύāĻžāĻĨ āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | - |
| ⧧⧝ā§Ŧā§Ģ | āĻŦā§āĻ āĻāϝāĻŧāĻž āĻĻāĻŋāϞ āĻāĻž āĻĻāĻŋāϝāĻŧāĻž | āĻā§āĻĻāĻžāĻ āĻ
āĻā§āĻā§āĻ ā§
āĻĒāϰāĻŋ: āĻ āĻāĻŽ āĻāĻžāύ | āĻšāĻŋāύā§āĻĻāĻŋ | āϏā§āϰā§āĻļ āĻā§āĻŽāĻžāϰ | āĻāĻžāĻĢāϰ āϰāĻžāĻšā§ | āĻāĻŋāϤā§āϰāĻž,āĻŽāύāĻšā§āϰ āĻĻā§āϏāĻžāĻ,āĻā§āώā§āĻŖāĻžāĻā§āĻŽāĻžāϰ⧠|
| 1963 | Chand tale jhoom jhoom, thirak rahi hain ghoonghar disagree with Suman Kalyanpur | Jab Se Tumhe Dekha Hai
Kedar Kapoor | Hindi | Dattaram | Pradeep Kumar, Geeta Bali, Shammi Kapoor |
| - | āĻāĻžāĻāĻĻ āϤā§āĻŽāĻŋ āĻāϤ⧠āĻāϞ⧠āĻā§āĻĨāĻž āĻšāϤ⧠āĻĒā§āϞ⧠| - | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻŦāĻā§āĻāĻŋāĻŽ āĻā§āώ | - |
| - | āĻāύā§āĻĻāύ āĻāĻāĻāĻž āĻā§āĻā§āĻ āĻāĻĒāĻžāϞ | - | āĻŦāĻžāĻāϞāĻž | - | - |
| ⧧⧝ā§Ŧā§§ | āĻĻā§āĻā§ āύāĻž āϝāĻžāĻ āĻāĻžāύ⧠āĻŽāύ | āĻŦāϝāĻŧ āĻĢā§āϰā§āύā§āĻĄ
āĻĒāϰāĻŋ: āύāϰā§āĻļ āϏāĻžāϝāĻŧāĻāϞ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ | āĻļāĻļā§ āĻāĻžāĻĒā§āϰ, āĻŽāϧā§āĻŦāĻžāϞāĻž āĻāĻŦāĻ āϧāϰā§āĻŽā§āύā§āĻĻā§āϰ[⧍ā§Ē] |
| - | āĻĻā§āϝāĻŧāĻžāϞ āĻāĻĄāĻŧāĻŋāϤ⧠āĻāĻāύ āĻ
āύā§āĻ āϰāĻžāϤ | āĻŦāĻžāĻāϞāĻž | - | - | - |
| ā§§ā§¯ā§Žā§Ļ | āϧāϰāĻŖā§āϰ āĻĒāĻĨā§ āĻĒāĻĨā§ | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| ⧧⧝ā§Ģā§Ŧ | āϧā§āϰ⧠āĻāϞ⧠āĻāϰāĻž (āϞāϤāĻž āĻŽāĻā§āĻā§āĻļāĻāϰā§āϰ āϏāĻā§āĻā§) | āĻāĻļ āĻā§ āĻĒāύāĻā§
āĻĒāϰāĻŋ: āĻŽā§āĻšāύ āĻā§āĻŽāĻžāϰ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ | - | āϰāĻžāĻā§āύā§āĻĻā§āϰ āĻā§āĻŽāĻžāϰ,āĻŦā§āĻāϝāĻŧāύā§āϤā§āĻŽāĻžāϞāĻž |
| ⧧⧝ā§Ģ⧝ | āĻĻāĻŋāϞ āϞā§āĻā§ āϝāĻž āϤ⧠āĻšā§ āĻāĻšāĻžāĻ (āĻāĻŽāϞ āĻŦāϰā§āĻā§āϰ āϏāĻā§āĻā§) | āĻ āϤā§āϰāĻž āĻā§āϝāĻžāϝāĻŧāĻž āĻāĻšāĻžāĻ
āĻĒāϰāĻŋ: āĻā§. āĻĒāĻžāϰāĻā§āĻ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻāϞā§āϝāĻžāĻŖāĻāĻŋ āĻā§āϰāĻāĻŋ āĻļāĻžāĻš | āĻāύā§āĻĻāĻŋāĻŦāϰ | āĻŽā§āĻšāĻŽā§āĻĻ,āĻāĻŋāϤā§āϰāĻž, āĻšā§āϞā§āύ[⧍ā§Ē] |
| ⧧⧝ā§Ģā§ | āĻĻāĻŋāϞ āĻŽā§āϰāĻž āĻāĻ āĻāĻļ āĻāĻž āĻĒāύāĻā§ | āĻāĻļ āĻā§ āĻĒāύāĻā§ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ | - | āϰāĻžāĻā§āύā§āĻĻā§āϰ āĻā§āĻŽāĻžāϰ, āĻŦā§āĻāϝāĻŧāύā§āϤā§āĻŽāĻžāϞāĻž |
| - | āĻĻā§āϰ āĻĻāĻŋāĻāύā§āϤ āĻĄā§āĻā§ āĻāĻā§ āĻŽā§āĻā§ | - | āĻŦāĻžāĻāϞāĻž | - | - |
| ā§§ā§¯ā§Žā§§ | āĻĻā§āϏā§āϤāϰ āĻĒāĻžāϰāĻžāĻŦāĻžāϰ | - | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| ⧧⧝ā§Ŧā§Ž | āĻ āϝā§āύ āϏā§āĻ āĻā§āĻ | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | - |
| - | āĻ āϰāĻžāϤ āύāĻŋāĻŦāĻŋāĻĄāĻŧ āĻšāϞ⧠| āĻŦāĻžāĻāϞāĻž | - | - | - |
| - | āĻāĻ āĻāĻā§āĻā§āĻŦāϞ āĻĻāĻŋāύ āĻĄāĻžāĻā§ āϏā§āĻŦāĻĒā§āύ āϰāĻā§āĻā§āύ | - | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| - | āĻāĻāϰāĻžāĻļ āĻāϞ⧠āĻā§āϞ | āĻŦāĻžāĻāϞāĻž | - |
| ⧧⧝ā§Ģā§ | āĻāϤ⧠āϏā§āϰ āĻāϰ āĻāϤ⧠āĻāĻžāύ | āĻĒā§āĻāĻž āĻ
ā§āϝāĻžāϞāĻŦāĻžāĻŽ | āĻŦāĻžāĻāϞāĻž | āϏā§āϧā§āύ āĻĻāĻžāĻļāĻā§āĻĒā§āϤ | āϏā§āϧā§āύ āĻĻāĻžāĻļāĻā§āĻĒā§āϤ | - |
| ⧧⧝ā§Ŧā§Ē | āĻāĻāĻŖ āĻā§ āĻāύā§āĻĻāĻž āύāĻž āĻĒā§āĻ āĻšāĻŽāϏ⧠(āϞāϤāĻž āĻŽāĻā§āĻā§āĻļāĻāϰā§āϰ āϏāĻā§āĻā§) | āĻ
āĻĒāύ⧠āĻšā§āϝāĻŧā§ āĻĒāϰāĻžāϝāĻŧā§
āĻ
āĻāĻŋāϤ āĻāĻā§āϰāĻŦāϰā§āϤ⧠| āĻšāĻŋāύā§āĻĻāĻŋ | āĻļāĻā§āĻāϰ āĻāϝāĻŧāĻāĻŋāώāĻŖ | - | āĻŽāύā§āĻ āĻā§āĻŽāĻžāϰ āĻ āĻŽāĻžāϞāĻž āϏāĻŋāύāĻšāĻž |
| ⧧⧝ā§Ŧā§Ļ | Gar tum bura na mano with Asha Bhonsle | Mehlon ke khwab
Dir: Muhafiz Haider | āĻšāĻŋāύā§āĻĻāĻŋ | S. Mohinder | Raja Mehdi Khalifah Khan | Pradeep Kumar & Madhubala[⧍ā§Ē] |
| 1959 | Gori tere natkhat naina with Geeta Dutt | Hum Bhi Insaan Hain | Hindi | āĻšā§āĻŽāύā§āϤ āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻļā§āϞā§āύā§āĻĻā§āϰ | - |
| - | āĻšāĻžāĻāϰ āĻā§āϞāĻžāĻŽ āĻāĻŋāϰā§āĻāĻŋāϞ āĻŽā§āϰ⧠| - | āĻŦāĻžāĻāϞāĻž | āϏā§āĻŦā§āϰ āϏā§āύ | āĻ
āύā§āĻĒ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | - |
| - | Haate sob Haat-Ghori bandha | - | Bengali | Subir Sen | - |
| ⧧⧝ā§Ŧā§Ž | āĻšāϝāĻŧāϤ⧠āϤā§āĻŽāĻžāϰ āĻ
āύā§āĻ āĻā§āώāϤāĻŋ āĻāϰā§āĻāĻŋ | āĻ
ā§āϝāĻžāϞāĻŦāĻžāĻŽ "āĻāϤ⧠āϏā§āϰ āĻāϰ āĻāϤ⧠āĻāĻžāύ " | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | - |
| ⧧⧝ā§Ŧā§Ļ | Humein yun rahon par chalna hai with Aratu Mukherjee | Masoom
Dir: Satyen Bose | āĻšāĻŋāύā§āĻĻāĻŋ | āϰāĻŦā§āύ āĻŦā§āϝāĻžāύāĻžāϰā§āĻāĻŋ | āϰāĻžāĻāĻž āĻŽā§āĻšā§āĻĻā§ āĻāϞāĻŋ āĻāĻžāύ | āϏāϰā§āώ āĻāϰāĻžāύā§,āĻāĻāĻŋāĻ,āĻšāύāĻŋ āĻāϰāĻžāύ⧠|
| ā§§ā§¯ā§Žā§§ | āĻāĻžāύāĻŋāύāĻž āĻāĻžāύāĻŋāύāĻž āĻā§āύ āϏāĻžāĻāϰā§āϰ āĻĸā§āĻ | - | āĻŦāĻžāĻāϞāĻž | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| - | āϝāĻžāϰ āĻāϞ⧠āύāĻŋāĻā§āĻā§āĻā§ | - | āĻŦāĻžāĻāϞāĻž | āĻĒā§āϰāĻŦā§āϰ āĻŽāĻā§āĻŽāĻĻāĻžāϰ | āĻĒā§āϰāĻŦā§āϰ āĻŽāĻā§āĻŽāĻĻāĻžāϰ | - |
| - | āϝāĻāύ āĻšāĻžāϤ āĻŦāĻžāĻĄāĻŧāĻžāϞā§āĻ āĻāĻāĻžāĻļ | - | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻŦāĻžāĻŦā§ āĻā§āĻšāĻ āĻžāĻā§āϰāϤāĻž | - |
| ⧧⧝ā§Ŧ⧝ | Jayse pani chhupa ghata mein with Lata Mangeskar | āĻŦāύā§āϧāύ
āĻĒāϰāĻŋ: āύāϰā§āύā§āĻĻā§āϰ āĻŦā§āĻĻā§ | āĻšāĻŋāύā§āĻĻāĻŋ | āĻāϞā§āϝāĻžāĻŖāĻā§-āĻāύāύā§āĻĻāĻā§ | āϰāĻžāĻā§āĻļ āĻāĻžāύā§āύāĻž,āĻŽā§āĻŽāϤāĻžāĻ,āĻā§āĻŦāύ |
| - | Je buke tomar byatha chhilo | - | Bengali | Subir Sen | Kumar Bishwarup | - |
| 1954 | Jiban baati niviye | - | Bengali | Chitta Roy | Shyamal Gupta | Columbia Records
(GE24715) |
| - | Kalo meghe dambaru | - | Bengali | Bhupen Hazarika | Pulak Bandyopadhyay | - |
| 1962 | Kasam na lijiye with Purnima Sett | Jadu Mahal
Dir: Akkoo | Hindi | Bulo C Rani | - | Helen, Ajit, Azad, Hiralal |
| 1965 | Ki bhalo laglo chokhe | - | Bengali | Sudhin Dasgupta | Sunil Baran |
| 1981 | Kichhudin pore ar | - | Bengali | āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| āϏāϞāĻŋāϞ āĻā§āϧā§āϰ⧠| - |
| - | Kichhu phul diye aaj | - | Bengali | Anal Chatterjee | Shyamal Gupta |
| 1972 | Koi mera ho gaya | Midnight
Dir: Raju | Hindi | Subir Sen | Tajdar Taj |
| 1981 | Kono bhalo kobitar duti ponkti dao | - | Bengali | Salil Chowdhury | Salil Chowdhury | - |
| 1989 | Konodin tumi aar gaibe na | - | Bengali | - | - | In memory doomed Hemanta Mukherjee after his death |
| 1962 | Kya kaha jara phir kaho approximate Geeta Dutt | Gangu | Hindi | Kalyanji â Anandji | Qamar Zalalabadi or Prem Dhawan | Chandrashekhar and Naaz |
| - | Lal dopati o phul tomar | - | Bengali | - | - | - |
| 1959 | Main rangeela pyar ki rahi with Lata Mangeskar & Ameen Sayani | Chhoti Bahen | Hindi | Shankar â Jaikishen | Hasrat Jaipuri | Balraj Sahni, Nanda, Shyama |
| 1957 | Manzil wohi hai pyar ki | Kathputli | Hindi | Shankar â Jaikishen | Shailendra | Vyjayanthimala direct Balraj Sahni[⧍ā§Ē] |
| 1967 | Monalisa tumi ke balona | - | Bengali | Abhijit Banerjee | Abhijit Banerjee | - |
| - | Nagar jiban chhobir maton hoyto | - | Bengali | Abhijit Banerjee | Amiyo Dasgupta | - |
| 1966 | Noy thakle aro kichhukhon | - | Bengali | Abhijit Banerjee | Gauriprasanna Mazumder | - |
| 1981 | Odhikar ke kake dey | - | Bengali | Salil Chowdhury | Salil Chowdhury | - |
| 1964 | Ogo kajol noyona | Momer Alo | Bengali | Robin Chatterjee | - | Subir Sen, Sabitri Chattopadhyay, Uttam Kumar |
| - | Ogo Shakuntola | - | Bengali | Bhupen Hazarika | Pulak Bandyopadhyay | - |
| - | Oi ujjwalo din daake swapno rongin | - | Bengali | Sudhin Dasgupta | Sudhin Dasgupta | - |
| 1981 | Pagol Haowa aamar mato tumio hariye gele | Bengali | Salil Chowdhury | Salil Chowdhury | 2126-3115 |
| 1969 | Phaguner daak elo je with Sandhya Mukherjee | Aparichito
Dir" Salil Datta | Bengali | Robin Chatterjee | - | - |
| - | Phis phis bon jhau | - | Bengali | - | - | - |
| 1989 | Phooler bagicha hote sera phul | - | Bengali | Buddhadeb Gangopadhyay | Shyamal Sengupta | In memory of Hemanta Mukherjee after his death |
| 1989 | Poth je ekhono baki | - | Bengali | - | - | - |
| 1959 | Pyar mein milna sanam with Lata Mangeskar | Ardhangini | Hindi | Vasant Desai | Majrooh Sultanpuri | Raj Kumar & Meena Kumari |
| - | Raat holo nijhum | - | Bengali | - | Gauriprasanna Mazumder | - |
| - | Sandhya logone swapno magane | - | Bengali | Abhijit Banerjee | Shyamal Ghosh | - |
| 1967 | Saradin tomay bhebe | - | Bengali | Abhijit Banerjee | Abhijit Banerjee | - |
| 1971 | Sedin dujone dulechhinu bone | Anubhav
Dir: Basu Bhattacharya | Rabindra Sangeet in Hindi sheet | Rabindranath Tagore | Rabindranath Tagore | Subir Wide awake as guest artist, with Sanjeev Kumar |
| - | Shato barsho ki tar-o besi kichhi aage | - | Bengali | Salil Chowdhury | Salil Chowdhury | [⧍ā§Ģ] |
| - | Siri uthe gechhe dhaape dhaape | - | Bengali | - | - | - |
| - | Sudhu sei gaane aaji | - | Bengali | - | - | - |
| 1981 | Sukher bandhan jei na chukalam | - | Bengali | Salil Chowdhury | Salil Chowdhury | - |
| 1961 | Sun le dastaan yun na sata | Passport
Dir: Pramode Chakravorty | Hindi | Kalyanji â Anandji | - | Pradeep Kumar, Madhubala |
| - | āϏā§āύā§āĻĻāϰ āĻāĻŋāĻā§ āĻĻā§āĻāϞ⧠āĻĒāϰ⧠| - | āĻŦāĻžāĻāϞāĻž | - | - | - |
| - | āϏā§āĻŦāϰā§āĻŖ āĻāϰāĻž āϏā§āϰā§āϝ āϰāĻā§ | - | āĻŦāĻžāĻāϞāĻž | āϏā§āϧā§āύ āĻĻāĻžāĻļāĻā§āĻĒā§āϤ | āϏā§āϧā§āύ āĻĻāĻžāĻļāĻā§āĻĒā§āϤ | - |
| ⧧⧝ā§Ŧ⧍ | āĻĨāĻžāĻŽ āĻŽā§āĻā§ āĻāĻŋāϰ āύāĻž āĻāĻžāϝāĻŧā§āĻ | āϰāĻžāĻ āĻā§ āĻŦāĻžāϤ
āĻĒāϰāĻŋ: āĻŦā§āϞāĻāύ āϏāĻŋ āύāĻžāĻāĻŋ | āĻšāĻŋāύā§āĻĻāĻŋ | āϰāĻŦā§āύ āĻŦā§āϝāĻžāύāĻžāϰā§āĻāĻŋ | āĻšā§āϰāϤ āϏā§āϤāĻžāĻĒā§āϰāĻŋ | āĻāĻāĻž,āĻ
āĻāĻŋ āĻāĻā§āĻāĻžāĻāĻžāϰā§āϝ, āĻŽā§āĻšāύ āĻāĻāĻŋ |
| ⧧⧝ā§Ģā§ | āϤā§āĻŽāĻžāϰ āĻšāĻžāϏāĻŋ āϞā§āĻāĻŋāϝāĻŧā§ āĻšāĻžāϏ⧠| - | āĻŦāĻžāĻāϞāĻž | āϏā§āϧā§āύ āĻĻāĻžāĻļāĻā§āĻĒā§āϤ | āĻ
āύāϞ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | - |
| ⧧⧝ā§Ģā§ | āϤā§āĻŽāĻžāϰ āĻļāĻŋāĻļāĻŋāϰ āĻā§āĻāĻž | - | āĻŦāĻžāĻāϞāĻž | āĻ
āύāϞ āĻāĻā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āϏāĻŽā§āϰ āĻĻā§āĻŦ | - |
| - | āϤā§āĻŽāĻžāϰ⧠āĻĒā§āϝāĻŧā§āĻāĻŋ āĻŦāϞ⧠| - | āĻŦāĻžāĻāϞāĻž | - | - | - |
| - | āϤā§āĻŽāĻžāϝāĻŧ āĻĒā§āϝāĻŧā§āĻāĻŋ āĻāĻŽāĻŋ | - | āĻŦāĻžāĻāϞāĻž | āĻļā§āϞā§āύ āĻŽā§āĻā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻāύā§āĻĻā§āϰāĻāĻŋā§ | - |
| ⧧⧝ā§Ŧā§Ŧ | āϤā§āĻŽāϰāĻž āĻāĻŽāĻžāϰ āĻāĻžāύ āĻļā§āύ⧠āĻāĻ | - | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻā§āϰā§āĻĒā§āϰāϏāύā§āύ āĻŽāĻā§āĻŽāĻĻāĻžāϰ | - |
| - | āϤā§āĻŽāĻŋ āĻāĻŽāĻžāϰ āĻĒā§āϰā§āĻŽ | - | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻŽāĻŋāϞā§āĻā§ āĻā§āώ | - |
| ⧧⧝ā§Ŧā§Ē | āϤā§āĻŽāĻŋ āĻŦāϞā§āĻāĻŋāϞ⧠| - | āĻŦāĻžāĻāϞāĻž | āĻ
āĻāĻŋāĻāĻŋā§ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ | āĻļāĻŋāĻŦāĻĻāĻžāϏ āĻŦāύā§āĻĻā§āϝā§āĻĒāĻžāϧā§āϝāĻžāϝāĻŧ / āĻŦāĻž/ āĻ
āĻŽāĻŋāϝāĻŧ āĻĻāĻžāĻļāĻā§āĻĒā§āϤ | - |
| ⧧⧝ā§Ŧā§Ž | āĻāϝāĻŧā§ āĻĒā§āĻāĻžāϰ āĻāĻŋāϏāĻā§ āϞāĻŋāϝāĻŧā§ āĻā§āϤ āĻŦāĻžāĻāĻā§ (āϏā§āĻŽāύ āĻāϞā§āϝāĻžāĻŖāĻĒā§āϰā§āϰ āϏāĻā§āĻā§) | āϰāĻžāύ⧠āĻāύā§āĻĻā§āϰāĻžāĻŦāϤ⧠| āĻšāĻŋāύā§āĻĻāĻŋ | āĻāϏ āĻāύ āϤā§āϰāĻŋāĻĒāĻžāĻ ā§ | āϞāϞāĻŋāϤāĻž āĻĒāĻžāĻāϝāĻŧāĻžāϰ |